Thursday, May 24, 2012
Wednesday, May 23, 2012
Found Performed Construted/ Slide List
Found Performed Constructed Pt.2
Raimond Wouda Linde
College I, Eesveen, 2005
Raimond Wouda Dasmateda
Amsterdam 2003
Andrew Bush Man
traveling southbound at 67 mph on U.S. Route 101 near Montecito, California, at
6:31 p.m. on or around Sunday, August 28, 1994
Andrew Bush Man
heading south at 73 mph on Interstate 5 near Buttonwillow Drive outside of
Bakersfield, California, at 5:36 p.m. on a Tuesday in March 1992
Andrew Bush Woman
gliding southeast at 64 mph on U.S. Route 101 near Santa Barbara at 4:39 p.m.
sometime in March 1990
Amy Stein Steven,
Route 10, Louisiana
Amy Stein Route 14, New Mexico
Amy Stein Canadian Girl, Route 65, Alabama
Michael Wolf Paris
Street View 2009
Michael Wolf Paris
Street View exhibited in Amsterdam 2010
Mohamed_Bourouissa Périphéries
Mohamed_Bourouissa_ Le
téléphone, 2006
Mohamed_Bourouissa La fenêtre
Mohamed_Bourouissa Le
groupe, 2007
Mohamed_Bourouissa Le
cercle imaginaire 2008
Alex Prager Eve
2008
Alex Prager Annie
2008
Alex Prager Sunday
Inez-van-Lamsweerde God
2005
and Vinoodh-Matadin
Inez-van-Lamsweerde Dakota Fanning
and Vinoodh-Matadin
Clare Strand The
Betterment Room 2004/5
Clare Strand Lisanne
wears wool shift dress, felt scarf and leather gloves with bell sleeves by
Emporio Armani
Matthew Brandt Fall
Creek Lake, OR 7, 2009
Matthew Brandt Klamath
Lake, OR 2, 2009
Dirk Braeckman Pyramid
Club N.Y.
Dirk Braeckman E
113
Dirk Braeckman N.P.-I.K.-04
Alexander Binder from
the Allerseelen series
Alexander Binder from
the Allerseelen series
Sunday, May 20, 2012
Book Design / Natural Lighting
Over the weekend, I discovered an online book editing program, called Blurb. It allows you to import images from a number of web locations, as well as your own computer.
I had been looking mainly towards my mothers, family and landscape, snapshots relating to my childhood. I thought it fitting in gaining some balance in adding a contemporary element to the natural lighting project.
All images were taken on my youngest child's (name omitted) much converted iPhone S4.
The purchasing of the iPhone, by said child, was given the go ahead for two main reasons.
1. She saved the money for the phone herself.
2. SIRI ! Voice activated technology, in the world of dyslexic-child, priceless.
- small print she had to share...
The out come was a memory-bank of snapshots an element that has been missing in our family, for far too long
- lugging around a D90 does not really scream 'spontaneous'.
It was also interesting finding editing programs and web uploading/sharing solutions, instagr by far my favorite.
The fact that in answer to public demand publishing companies such as Blurb, work in alignment with web-based social-networks, may mean that the family photo-album, is not heading for extinction.
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| cover |
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| flaps |
Thursday, May 17, 2012
UKIYO-E/ Floating World
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http://www.katsushikahokusai.org/
“From around the age of six, I had the habit of sketching from life. I
became an artist, and from fifty on began producing works that won some
reputation, but nothing I did before the age of seventy was worthy of
attention. At seventy-three, I began to grasp the structures of birds
and beasts, insects and fish, and of the way plants grow. If I go on
trying, I will surely understand them still better by the time I am
eighty-six, so that by ninety I will have penetrated to their essential
nature. At one hundred, I may well have a positively divine
understanding of them, while at one hundred and thirty, forty, or more I
will have reached the stage where every dot and every stroke I paint
will be alive. May Heaven, that grants long life, give me the chance to
prove that this is no lie.”
Hokusai: Peonies and Butterfly
“From around the age of six, I had the habit of sketching from life. I
became an artist, and from fifty on began producing works that won some
reputation, but nothing I did before the age of seventy was worthy of
attention. At seventy-three, I began to grasp the structures of birds
and beasts, insects and fish, and of the way plants grow. If I go on
trying, I will surely understand them still better by the time I am
eighty-six, so that by ninety I will have penetrated to their essential
nature. At one hundred, I may well have a positively divine
understanding of them, while at one hundred and thirty, forty, or more I
will have reached the stage where every dot and every stroke I paint
will be alive. May Heaven, that grants long life, give me the chance to
prove that this is no lie.”
―
Hokusai
Hosoda Eishi: Yang Guifei
Floating World Exhibition
http://karenlamonte.smugmug.com/Works/Kimonos/Floating-World-Exhibition/19471241_PNHVtf/1427459769_JdDFK83#!i=1427463134&k=WKVXN5Q
Cropped Selection Natural Light
1
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2
----------------------------------------
3
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All images taken by my Mother, Dawn Clark.
In approaching the selection /editing process I was first drawn to images that had children interacting within their environment - with backs towards the camera.
The approach of section with 'child in image' was based trying to translate my own personal family, visual language. I wanted to investigate what aesthetics within choice of composition and subject matter had been passed down, within generations, mother to child.
I found a shift in styles appearing in years 1950 -1960, that moved away from staged portraiture, to a more carefree snapshot that was well established by the time these images where taken (1970's). This would relate greatly to the change technology available to the amateur photographer.
I believe that the amateur photographers of this era have a very unique aesthetic. Using my mothers work as an example - my mother first took images on a Box Brownie with only 12 exposures per roll of film combined with development costs meant care had to be put into her choice of subject and composition.
The images above, are very much snapshots, but not taken by a person that had the luxury of a digital. They have a stillness that notes the patience's required in learning to take photographs, on such cameras as Box Brownies. There is no snapping off a hundred images within one day... its a approach that is rapidly being lost within our digital era.
Aesthetically well within my mothers images there are many posed family group photographs. Its her landscapes I'm drawn to. With or without a trace of a human element they speak of a very nonhuman centralist approach to her environment.
Monday/ 21/May
Having spent the weekend working on less formal family snapshot, I have decided that the triptic is overdoing things a little to much.
The images enlarged should be seen closer to there origanal shape. Though this may all change again if I dont like the results.
Wednesday, May 16, 2012
Defining Style
Start of how I may intend to use my others images... have always been very drawn to The floating world masters method of approaching their environment.
More notes latter as have a lecture to get to.
“I have drawn things since I was six. All that I made before the age of sixty-five is not worth counting. At seventy-three I began to understand the true construction of animals, plants, trees, birds, fishes, and insects. At ninety I will enter into the secret of things. At a hundred and ten, everything--every dot, every dash--will live”
- Hokusai Katsushika
Friday/18/2012
Silk Panel
The reason behind dimensions used regarding above image, was in reference to a framed embroidered silk panel, I found in an op-shope a few weeks back. The dimensions where, 40cm x 123 cm.
In reflection I really don't think it works... or, is too overstated, not to mention would cost an arm and a leg to print, and as my printing skills are very much in need of improvement that idea may such have to be put back on the shelf.
Another reason I was drawn silk panel was the the embroidery itself.
Embroidery is a craft I learnt from both my mother and grandmother - along with sewing, knitting and crochet. I'm very much interested in the knowledge that is passed down from generation to generation.
Artists of Interest/ photography
Parkeharrison
Steve Bloom
Yvonne Todd
Nan Goldin
Alex Prager
Alex Prager
http://www.alexprager.com/
http://www.alexprager.com/
Alex Prager's
photographs are emblems of the joys and tragedies of living in Los
Angeles. The self-taught photographer does for LA what Woody Allen did
for New York, featuring the city as her muse (and protagonist). In her
vivid photos you may recognize Cindy Sherman's feminine masks, Douglas
Sirk's classic melodramas and even David Lynch's eye for the uncanny.
Prager's mannequin-like women are caught in compromised states; she captures beads from dripping mascara and trembling matte lips on film. Though her heroines are hurting you get the feeling they still love the drama. Prager revels in these difficult emotions, especially when it seems inappropriate to stare.
The young Los Feliz native began taking photos after being inspired by a William Eggleston exhibition. She then bought her first camera and began taking photographs of her friends. Prager is now one of the most recognizable contemporary working photographers out there today, and her friends are often the models in her pieces.
Prager's mannequin-like women are caught in compromised states; she captures beads from dripping mascara and trembling matte lips on film. Though her heroines are hurting you get the feeling they still love the drama. Prager revels in these difficult emotions, especially when it seems inappropriate to stare.
The young Los Feliz native began taking photos after being inspired by a William Eggleston exhibition. She then bought her first camera and began taking photographs of her friends. Prager is now one of the most recognizable contemporary working photographers out there today, and her friends are often the models in her pieces.
Tuesday, May 15, 2012
Scanned/notes
Scanned at 1200 resolution, uploaded at resolution of 72 which is fine for net
Think its the shotover, have to ask mum this weekend.
Keeping selection to the very central otago autumn tones at this point as would work well with the butterflies.
Have an idea for an edit using my mothers images as layers over some of the butterfly images.
Sunday, May 13, 2012
Epson Uni Scanner

Spent day on Uni scanner, lucky for me John past through.
Gave me some great pointers.
Images scanned at original size but pushed the resolution up... overriding the size issue.
Gave me some great pointers.
Images scanned at original size but pushed the resolution up... overriding the size issue.
Resolution for film : 9200
Resolution for reflective: 1200
Scans where lower in regards to the fact I had not taken ample storage to cover what I was doing.
Happy with the outcome but really have to also recall to check the state of screen before I start.
More time spent on cleaning up stray eyelashes than I ever want to do again.
Scan was taken into photoshop and slowly coming to terms with a Guy Gowan sharpening method that as yet not sure I have correct.
But over all looks a hell of a lot better.
.
Scan was taken into photoshop and slowly coming to terms with a Guy Gowan sharpening method that as yet not sure I have correct.
But over all looks a hell of a lot better.
.
Trace of Human Element
Once again looking through family photos, how man is depicted even in his absences within the landscape
Human Element 2 edits
Tried to re size images to the same as the snapshots from my mothers collection... really not going to work as just looks ugly... but should be able to crop to same size.
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